Reel Reviews

‘Patriots Day’

Audience:
Audience: L – limited adult audience, films whose problematic content many adults would find troubling

 

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Bravery at Boston Marathon bombing

While “Patriots Day” (Lionsgate) is an effective dramatization of the 2013 Boston Marathon bombing and its violent aftermath, the film is also an unsparing portrayal of those events. Thus it can only be recommended for the sturdiest adult viewers.

Director and co-writer Peter Berg approaches his daunting subject from multiple perspectives, predominantly that of fictional police Sgt. Tommy Saunders (Catholic actor Mark Wahlberg). Stationed at the finish line of the race, held annually on the April holiday of the title, Saunders is among the first responders to the chaos unleashed by radicalized Muslim brothers Tamerlan (Themo Melikidze) and Dzhokhar (Alex Wolff) Tsarnaev.

Other strands of the story, scripted by Berg in collaboration with Matt Cook and Joshua Zetumer, involve lead FBI investigator Special Agent Richard DesLauriers (Kevin Bacon), and his local counterpart, Police Commissioner Ed Davis (John Goodman).

Among the victims profiled are young husband and wife Patrick Downes (Christopher O’Shea) and Jessica Kensky (Rachel Brosnahan) as well as Chinese-born app designer Dun Meng (Jimmy O. Yang) whom the murderous siblings carjacked and kidnapped. Meng’s courage and quick thinking helped foil the Tsarnaevs’ plans to carry out a further attack in New York’s Times Square.

Berg ratchets up the suspense as authorities scramble to identify and capture the fugitives before they can claim more casualties. And “Patriots Day” is clear about the need to oppose evil with love and decency, an outlook most forcefully expressed through a powerfully delivered monologue from Wahlberg’s Everyman character.

Yet, although the treatment of it never descends to the exploitative or manipulative, the bloody carnage caused by the duo’s series of assaults is graphically depicted. The grim sights from which Berg refuses to avert his gaze – or ours – are not meant to evoke a visceral or vengeance-hungry response in the audience. They are, rather, an unflinching presentation of reality.

Taken together with the dialogue’s torrent of tension-induced swearing, however, this visual realism makes “Patriots Day” suitable fare for only a few. Still, serious minded grownups will find positive values prevailing amid the many losses.

The film contains disturbing and sometimes gruesome images of terrorist mayhem, considerable gore, drug use, a marital bedroom scene, several uses of profanity and pervasive rough and crude language. The Catholic News Service classification is L – limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R – restricted. Under 17 requires accompanying parent or adult guardian.

By John Mulderig, Catholic News Service

‘Hidden Figures’

Audience:
A-III – adults

 

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A race for space and human rights

The struggles of the Civil Rights era provide the backdrop for the appealing fact-based drama “Hidden Figures” (Fox 2000). Along with a personalized insight into the injustices that still prevailed in American society in the early 1960s, director Theodore Melfi’s adaptation of Margot Lee Shetterly’s book – which centers on three extraordinarily gifted mathematicians working for NASA – successfully re-creates the tension of the Cold War space race.

For all their genius, this trio of colleagues and close friends faced an uphill professional fight. That’s because they were not only women in a field dominated by men, but African Americans living and working in segregated Virginia.

Their story is told primarily from the perspective of Katherine Goble (Taraji P. Henson), a “computer” (as the number crunchers were then known) whose career gets a boost when she’s assigned to the prestigious unit tasked with working out the logistics of manned space flight. There she gradually wins the respect of her well-meaning but initially unenlightened boss, Al Harrison (Kevin Costner).

Both of Katherine’s pals, meanwhile, have challenges of their own to confront. Manager Dorothy Vaughan (Octavia Spencer) does all the work of a department supervisor but enjoys neither the title nor the salary of that position. And Mary Jackson (Janelle Monae) has set her sights on an engineering degree, but will have to obtain a court order to be allowed to take the necessary courses.

Besides the social changes slowly unfolding, and the suspense of the effort to catch up with the Russians post-Sputnik, “Hidden Figures” also gives viewers a glimpse of the early age of mechanical computers.

As representatives from IBM set up a massive device at NASA headquarters, Dorothy masters the programming language Fortran, already foreseeing that she and her co-workers will need to shift from making calculations on their own to entering data instead. (The textbook Dorothy uses to learn Fortran is purloined from a local library, but only because she’s not allowed to take it out – as a white person would be.)

Melfi uses scenes detailing the main characters’ personal lives to showcase family values and Christian piety. He also works in some wholesome romance by chronicling widowed Katherine’s blossoming relationship with National Guard Col. Jim Johnson (Mahershala Ali).

Given the positive morality on display as well as the historical understanding to be gained from “Hidden Figures,” many parents may consider it suitable for older teens, despite screenwriter Allison Schroeder’s occasional resort to light swearing for rhetorical emphasis.

The film contains at least one use of profanity, several milder oaths and a vague sexual reference. The Catholic News Service classification is A-III – adults. The Motion Picture Association of America rating is PG – parental guidance suggested. Some material may not be suitable for children.

By John Mulderig, Catholic News Service

Monthly List of Recent Film Ratings (June 2015)

CNS classifications: A-I: general patronage; A-II: adults and adolescents; A-III: adults; L: limited adult audience, films whose problematic content many adults would find troubling; O: morally offensive.
MPAA ratings: G: general audiences. All ages admitted; PG: parental guidance suggested. Some material may not be suitable for children; PG-13: parents strongly cautioned. Some material may be inappropriate for children under 13; R: restricted. Under 17 requires accompanying parent or adult guardian; NC-17: no one 17 and under admitted.

A
The Age of Adaline, A-III (PG-13)
Aloha, A-II (PG-13)
Avengers: Age of Ultron, A-III (PG-13)
The Awakening, A-III (R)
B
Begin Again, A-III (R)
C
Chappie, L (R)
Child 44, A-III (R)
Cinderella, A-I (PG)
D
The D Train, O (R)
Danny Collins, A-III (R)
The Divergent Series: Insurgent, A-III (PG-13)
Do You Believe?, A-II (PG-13)
Dream House, L (PG-13)
The DUFF, A-III (PG-13)
E
Ex Machina, O (R)
F
Far from the Madding Crowd, A-II (PG-13)
Focus, L (R)
Furious 7, A-III (PG-13)
G
Get Hard, O (R)
The Gunman, L (R)
Home, A-I (PG)
Hot Pursuit, A-III (PG-13)
I
It Follows, O (R)
J
Jupiter Ascending, A-III (PG-13)
K
Kingsman: The Secret Service, A-III (R)
L
The Last Exorcism Part II, L (PG-13)
The Lazarus Effect, A-III (PG-13)
Little Boy, A-II (PG-13)
The Longest Ride, A-III (PG-13)
M
Mad Max: Fury Road, L (R)
Marie's Story, A-II (not rated)
McFarland, USA, A-II (PG)
Monkey Kingdom, A-I (G)
P
Paul Blart: Mall Cop 2, A-I (PG)
Pitch Perfect 2, A-III (PG-13)
Poltergeist, A-III (PG-13)
Project Almanac, A-III (PG-13)
The Pyramid, A-III (R)
R
Run All Night, L (R)
S
San Andreas, A-III (PG-13)
The Second Best Exotic Marigold Hotel, A-III (PG)
Seventh Son, A-II (PG-13)
The SpongeBob Movie: Sponge Out of Water, A-I (PG)
T
Tomorrowland, A-II (PG)
The Trip to Italy, A-III (not rated)
True Story, A-III (R)
U
Unfinished Business, O (R)
Unfriended, O (R)
W
The Water Diviner, A-III (R)
Woman in Gold, A-II (PG-13)

Copyright (c) 2015 Catholic News Service/U.S. Conference of Catholic Bishops