Reel Reviews

‘Puss in Boots’

A-I – general patronage


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Fairy tale plotlines become entwined in this fun animation

An exceptionally intelligent and energetic script that includes a moral lesson propels “Puss in Boots” (DreamWorks), a 3-D animated children’s feature that provides the back story of the fairy tale character as portrayed in the “Shrek” films.

Without being condescending and without adding snarky in-jokes likely to fly over the little ones’ heads, director Chris Miller and screenwriter Tom Wheeler combine imagery from fairy tales with a plot that makes Puss (voice of Antonio Banderas) a mischievous bandit.

As such, this version of Puss is a faint echo of Zorro, the fictional Mexican hero who defends the poor and downtrodden.
Based on a story by Wheeler, Brian Lynch and Will Davies, this adventure tale has Puss, his romantic interest Kitty Softpaws (voice of Salma Hayek) and Humpty Dumpty (voice of Zach Galifianakis), Puss’ childhood friend from their time together in an orphanage, on the hunt for the magic beans of Jack and the Beanstalk.
Only the beans aren’t in the possession of that Jack, but rather are greedily hoarded by a swarthy bumpkin couple, Mr. and Mrs. Jack and Jill (voices of Billy Bob Thornton and Amy Sedaris). Jack and Jill, who keep pigs, haven’t planted the beans yet, and usually argue over the idea of having a child. “I could raise it like it was a squirrel,” Jack explains.

Grabbing the golden eggs at the top of the beanstalk has been Humpty’s quest since childhood; he views success in this pursuit as compensation for never fitting in anywhere. As he hatches his plot, he pledges the young Puss to secrecy, explaining, “The first rule of Bean Club is – you never talk about Bean Club!” Humpty also is embittered from his time in jail after one of his earlier capers with Puss went wrong, and the cat managed to escape.

Puss has to balance loyalty to his friend with the knowledge of what’s right, especially after they find the golden eggs and have to deal with one very angry goose. So there’s a valuable theme here about the perils of greed and dishonesty.
Parents of young children should know in advance, however, that one of the principal characters dies.

Although sweetly presented, this death harkens back to an era of cinema when characters who committed the worst sins were compelled to meet untimely –
 and therefore atoning – ends. In that sense, while potentially upsetting to tots, such a turn of events gives this latest, thoroughly fresh, spin on French author Charles Perrault’s centuries-old Puss character yet another classic dimension.
The film contains intense action sequences.

The Catholic News Service classification is A-I – general patronage. The Motion Picture Association of America rating is PG – parental guidance suggested.

By Kurt Jensen, Catholic News Service

‘Three Musketeers’

A-III - adults


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Catholic imagery abounds in “The Three Musketeers” (Summit), the latest remake of Alexandre Dumas’ durable costume epic of 17th-century swordsmanship, French patriotism and political treachery.

A quick inventory: Aramis (Luke Evans), a former priest, blesses himself and carries a rosary. D’Artagnan (Logan Lerman) has a climactic swordfight with the Englishman Rochefort (Mads Mikkelsen) on the roof of Notre Dame Cathedral in Paris – a sequence so overblown, one half-expects Quasimodo to pop out of his bell tower.

As always, there’s also the problematic Cardinal Richelieu (Christoph Waltz), who was, of course, the real-life prime minister to King Louis XIII and a practitioner of political intrigue with England and other powers. The historical Richelieu was so complex that Dumas found it easier to reduce him to a cardboard villain, which is how he’s been played ever since – with an extra helping of ham. Waltz even twirls his moustache to drive home that point.

Anyway, director Paul W.S. Anderson and screenwriters Alex Litvak and Andrew Davies are so obsessed with in-your-face 3-D special effects as well as fighting by the musketeers (their initial number rounded out by Matthew Macfadyen as Athos and Ray Stevenson as Porthos), they have no more time than Dumas for the niceties of the past.

That becomes abundantly clear with the appearance of two – yes, two – anachronistic airships, one equipped with a flamethrower, no less. Never will you see an Anno Domini 1625 this technically advanced!

As for the women who cross paths with our swashbucklers – including Milla Jovovich as the treacherous Milady de Winter – they barely count as window dressing.

The film contains fleeting crude and crass language, light sexual banter and highly stylized gunplay and swordplay. The Catholic News Service classification is A-III –
 adults. The Motion Picture Association of America rating is PG-13 – parents strongly cautioned. Some material may be inappropriate for children under 13.