Reel Reviews

‘Rogue One: A Star Wars Story’

Audience:
A-II – adults and adolescents

 

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A ‘forced’ franchise continues

“Rogue One: A Star Wars Story” is a worthy, and equally family-friendly addition, to “The Force Awakens,” last year’s promising reignition of the iconic franchise. Interstellar derring-do is once again the order of the day as this latest film in the series provides a rousing prequel to writer-director George Lucas’ 1977 original, subsequently dubbed “Episode IV - A New Hope.”

“A New Worry” might be an apt subtitle for “Rogue One” since its plot is driven by the fact that the evil Empire – served, most prominently, by Grand Moff Tarkin (a computer-generated projection of the late Peter Cushing) and Orson Krennic (Ben Mendelsohn) – is on the verge of deploying a game-changing new weapon, the Death Star. With its potential to wipe out entire planets, the Death Star could doom the efforts of the gallant Rebel Alliance, headed by Mon Mothma (Genevieve O’Reilly), to resist subjugation.

This crisis draws the movie’s main character, Jyn Erso (Felicity Jones), to center stage. As the daughter of Galen Erso (Mads Mikkelsen), the brilliant scientist who unwillingly developed the technology behind the Death Star while being held captive, she has reason to believe that the armament can be sabotaged from within.

To prove this, she’ll need the help of intrepid Alliance officer Capt. Cassian Andor (Diego Luna) as well as that of his mechanical sidekick, K-2SO (Alan Tudyk). An amusingly straight-talking android, K-2SO is the source of most of the movie’s wry comic relief.

In crafting an exciting epic, director Gareth Edwards keeps the mayhem inherent in his story of armed conflict virtually bloodless. And the script, by Chris Weitz and Tony Gilroy, celebrates altruism while also briefly tackling the morality of obeying questionable military orders.

But the ambiguous nature of the spiritual “Force” cultivated primarily, in this installment, by blind Buddhist-style monk Chirrut Imwe (Donnie Yen) may be a source of concern for the parents of some teens. Since the Force can be interpreted in any number of ways, including a vaguely Christian one – the famous blessing it inspires having an almost liturgical ring to it – youngsters may need guidance to arrive at sound conclusions.

For all others, “Rogue One” offers old-fashioned entertainment in the best sense: an engaging showdown between plucky goodness and elegant villainy with a bit of delightfully innocent romance thrown in for good measure.

The film contains frequent but thoroughly stylized combat violence, religious elements requiring mature discernment and some frightening images including a scene leading up to mental torture. The Catholic News Service classification is A-II – adults and adolescents. The Motion Picture Association of America rating is PG-13 – parents strongly cautioned. Some material may be inappropriate for children under 13.

By John Mulderig, Catholic News Service

‘Fantastic Beasts and Where to Find Them’

Audience:
A-II – adults and adolescents

 

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Fans of British novelist P.G. Wodehouse have a special place in their hearts for one of his most memorable comic creations, a shy and eccentric newt fancier with the immortal name Augustus Fink-Nottle.

Gussie, as his pal Bertie Wooster always called him, turns out to bear some similarity to the protagonist of "Fantastic Beasts and Where to Find Them" (Warner Bros.). Since the film is primarily a fantasy and not a comedy, however, this resemblance proves a mixed blessing.

Penned by "Harry Potter" creator J.K. Rowling, and set in 1926 New York, the movie follows the stateside adventures of Newt Scamander (Eddie Redmayne), an alumnus of Harry's alma mater, the Hogwarts School of Witchcraft and Wizardry, who specializes in studying and preserving the creatures of the title. As he travels the globe, Newt keeps an entire menagerie of the outlandish critters in an ordinary looking but magical suitcase. When this valise accidentally falls into the hands of everyday mortal Jacob Kowalski (Dan Fogler), it's easy to foresee the fallout. Jacob cluelessly releases the inhabitants of Newt's portable zoo, thereby creating two interconnected problems for the spell-caster.

First, there's the danger of setting off a panic as animals unknown to nature wander the streets of Gotham. The result of such a sensation, moreover, would be to reveal to humans the existence of the whole carefully hidden world of wand-wavers – with persecution and conflict the likely results.

To prevent all this, Newt joins forces with local Ministry of Magic enforcement official Tina Goldstein (Katherine Waterston). While barely able to understand the alternate reality he's suddenly stumbled into, Jacob, too, lends a hand. Finally, to round things out – and create parallel love possibilities – Tina's sister, Queenie (Alison Sudol), also joins the chase to retrieve the strays.

As directed by "Harry Potter" veteran David Yates, "Beasts" is visually impressive. And Folger brings off Jacob's working-stiff persona to droll effect. But, overall, emotional engagement is lacking – perhaps because Redmayne makes withdrawn bashfulness one of his peculiar character's leading qualities. Thus special effects wind up predominating over human interaction.

The predictable mayhem of the story is thoroughly stylized. Parents may be more concerned that a vaguely religious atmosphere surrounds one of the villains, anti-wizardry crusader Mary Lou Barebone (Samantha Morton).

The film contains considerable action violence with minimal gore and a couple of uses of a slang term some may find vulgar. The Catholic News Service classification is A-II – adults and adolescents. The Motion Picture Association of America rating is PG-13 – parents strongly cautioned. Some material may be inappropriate for children under 13.

By John Mulderig, Catholic News Service

Monthly List of Recent Film Ratings (June 2015)

CNS classifications: A-I: general patronage; A-II: adults and adolescents; A-III: adults; L: limited adult audience, films whose problematic content many adults would find troubling; O: morally offensive.
MPAA ratings: G: general audiences. All ages admitted; PG: parental guidance suggested. Some material may not be suitable for children; PG-13: parents strongly cautioned. Some material may be inappropriate for children under 13; R: restricted. Under 17 requires accompanying parent or adult guardian; NC-17: no one 17 and under admitted.

A
The Age of Adaline, A-III (PG-13)
Aloha, A-II (PG-13)
Avengers: Age of Ultron, A-III (PG-13)
The Awakening, A-III (R)
B
Begin Again, A-III (R)
C
Chappie, L (R)
Child 44, A-III (R)
Cinderella, A-I (PG)
D
The D Train, O (R)
Danny Collins, A-III (R)
The Divergent Series: Insurgent, A-III (PG-13)
Do You Believe?, A-II (PG-13)
Dream House, L (PG-13)
The DUFF, A-III (PG-13)
E
Ex Machina, O (R)
F
Far from the Madding Crowd, A-II (PG-13)
Focus, L (R)
Furious 7, A-III (PG-13)
G
Get Hard, O (R)
The Gunman, L (R)
Home, A-I (PG)
Hot Pursuit, A-III (PG-13)
I
It Follows, O (R)
J
Jupiter Ascending, A-III (PG-13)
K
Kingsman: The Secret Service, A-III (R)
L
The Last Exorcism Part II, L (PG-13)
The Lazarus Effect, A-III (PG-13)
Little Boy, A-II (PG-13)
The Longest Ride, A-III (PG-13)
M
Mad Max: Fury Road, L (R)
Marie's Story, A-II (not rated)
McFarland, USA, A-II (PG)
Monkey Kingdom, A-I (G)
P
Paul Blart: Mall Cop 2, A-I (PG)
Pitch Perfect 2, A-III (PG-13)
Poltergeist, A-III (PG-13)
Project Almanac, A-III (PG-13)
The Pyramid, A-III (R)
R
Run All Night, L (R)
S
San Andreas, A-III (PG-13)
The Second Best Exotic Marigold Hotel, A-III (PG)
Seventh Son, A-II (PG-13)
The SpongeBob Movie: Sponge Out of Water, A-I (PG)
T
Tomorrowland, A-II (PG)
The Trip to Italy, A-III (not rated)
True Story, A-III (R)
U
Unfinished Business, O (R)
Unfriended, O (R)
W
The Water Diviner, A-III (R)
Woman in Gold, A-II (PG-13)

Copyright (c) 2015 Catholic News Service/U.S. Conference of Catholic Bishops